Wednesday, July 25, 2012

7-25-12 Goodbye Cassio

A lot of people are willing to teach you how to get into a character.  Few people ever take the time to teach how to get out of a character.  For some reason it's assumed that it is easy.  It's easy to spend hundreds of hours working to pretend you are someone else, and the just let it go, just like that?  Wrong.

There were some days after rehearsal where I could really feel the energy of the rehearsal sticking.  Spend an hour pretending you are trying to beat people up, you may walk away with some negative energy that lingers.  Spend a couple of hours working on a big death scene or a scene where your leg gets sliced open and you may walk out of rehearsal with some negative energy.

But that is the day-to-day energy.  What about the end of it all?  After your performance is nothing more than an credit on your resume and a memory for hundreds or thousands of people...what then?
Well, sometimes I play a role and when it is done, I am good to go.  Maybe it wasn't a favorite role... maybe I didn't like my own work or the overall experience... maybe I've been playing the role for weeks or months and am just ready to end it...  whatever the case... I take my final bow and I'm happy things are done and I'm ready to move on.

Sometimes though, it's not that easy.  I've had a few roles that, for whatever reason, really were hard to let go of.  Sometimes you sit in the dressing room, looking at yourself in the mirror... perhaps washing away the make up, taking off the wig, removing the costume one last time, and you just feel sad... like you're leaving something, or someone. 

When I was in grad school for Acting, one of our first projects was this crazy intense 8 week process of work on Shakespeare's The Tempest which resulted in us doing a very bare-bones production of the work.  Nearly all of our classes revolved around the work and then we'd rehearse at night and on the weekend.  It was humbling work and this process is what really taught me what kind of effort it takes to do Shakespeare well.  I remember, with about two days to go before the show, we were all sitting around, and I just started crying and said that Shakespeare's work was so big and so good that I just didn't think I was enough...  that I didn't have enough to offer the story.  It was that kind of process... we invested into this story everything we knew how to invest as first semester grad students.

I believe that it was after our final show when our teacher talked about letting go of the work and of the roles we played.  He said wait a couple of days and then take some substantial time... 15 minutes or more... to say goodbye to our characters.  And he added that we had to say the goodbye outloud.  I tried it... and I liked it.  So now, whenever I play a role, I say goodbye to the character.  Sometimes it's a quick goodbye but the more I enjoyed the character, the more time I take. 

I said goodbye to Cassio today.  He has instantly vaulted into my top three Shakespeare characters that I have ever played...  he might just be number one.  My wife said she had never seen me play so many different things in one show.  He's an outstanding soldier, he's a bad-ass, he's a drunk, he's a flirt, he's despondent, he's forgiving, he's holding onto his life... from one scene to the next he was something different.... sometimes from one moment to the next.  So yeah... it was going to be a goodbye on the longer side.

Sometimes I say goodbye while enjoying a beer or glass of wine... obviously that wasn't appropriate with Cassio.  I started my goodbye with a run.  Many of my thoughts about Cassio and Cassio's lines were crafted and honed during runs, so it seemed appropriate.  I ran, and thought about the role, thought about the successes, thought about the moments that I would love another shot at because I didn't really think I found it yet... I do kind of hope that someday, this role comes my way again... although I wouldn't mind a shot at Iago in a few years either.

After the run, I got in my car and put in some Jimi Hendrix and cranked it up real loud and just drove around a bit.  Jimi was the music that somehow matched my vibe for Cassio.  Watchtower and Foxy Lady just seemed like the perfect songs to listen to before rehearsals and shows.  So Cassio and I went for one last spin before I finally said goodbye.

Theatre is a weird thing.  You invest so much into a role and then, just like that, it seems like it is gone.  But what is cool is that there are over a thousand people that, when they think of this amazing role, my performance pops in their mind.  Every person that ever has and ever will play this role shapes what the role is in the minds of humanity.  Cassio is constantly morphing as different actors give their takes of the character via the sensibilities of the time, the locale, and the actor.  It's pretty awesome to be a part of that.

So this blog is officially over.  Thanks for following along.  I may use it as a teaching tool for students in some of my classes for them to refer to but I don't suspect I will add anything new at this point.  If you are curious, the blog had around 1800 hits over the eight weeks.  The most hits ever in one day was 70 which came on closing night.

So thanks to you all for following along.  I appreciate it.  It was a lot of fun working on this knowing that people were actually reading. 

So long blog...

Goodbye Cassio.





Tuesday, July 24, 2012

7-24-12 Reviews

Ever been to a movie that was just horrible... absolutely horrible... and you walk out of the theatre... and the person you went with LOVED it?  Or vice versa?  Welcome to the world of reviews.

Having been in the theatre for a while, and having dealt with theatre as both an actor and a scholar, it seems to me that reviews serve two basic purposes.

1)  Reviews help potential audience members decide whether or not a particular piece of entertainment is something that they'd enjoy, be it a concert, opera, art exhibit, movie, piece of theatre, etc.

2)  Reviews help to chronicle that a given piece of art happened.  This is incredibly important to many of the performing arts because there is no other record of the performance.  Perhaps there are a few photos.  On occasion there is a video of a performance (usually of bad quality.)  We really look to reviews to get a sense of what happened.  I have used perhaps a hundred reviews (maybe more) from the late 19th and early 20th centuries in my dissertation. 

One hopes that a reviewer is appropriately educated in the medium he/she is reviewing.  This isn't always the case.  If you ever want to look at horrible reviews, look at university newspapers.  You get some student who has seen a play or two, writing an article for the entire campus to read about a campus production.  Usually they spend 2/3rds of the article simply giving a play synopsis... potentially ruining the show for anyone who hadn't seen it before, and then they give very simplistic reasons for why they liked or didn't like something.

The opinions of this person are very valid.... but that doesn't mean they should be publicly reviewing things.  Hell, I like dance concerts... and my opinion of a dance concert is as valid as anyone else's opinion of that concert.... but I am not an appropriate person to be doing reviews of dance concerts.

Thankfully, when you do work in a big city, you get good people reviewing the shows.  I've found two reviews of the show so far, both from respected reviewers.  The reviews are VERY different.  Two people who saw the same show on the same night communicating very different experiences of the show. 

This is why, as an actor, you can't judge your performance by a review.  It's hard not to...  for some reason we think the opinion of a reviewer is higher up than someone else.  It just isn't the case though.  Maybe we think this because the reviewer typically doesn't know us, so perhaps they are commenting on our work in a rather unbiased fashion.  But what about the stranger that searcher you out after the show to tell you that they liked your work?  Isn't that of equal value? 

I once had a guy say to me...  "Reviews...  If you are going to believe the good ones, you have to believe the bad ones."  He's right... because they are both valid.  Truth is, someone in this world hated the best performance I have ever given and someone in this world loved the worst performance I have ever given. 

So here are two reviews...  one was mixed and one was glowing.

We'll start with the mixed one.  This one comes from a respected writer for the Indianapolis Star which is the major newspaper in INDY.  It's always nice when you can get a review from the major paper.  If you look at this review, the focus is almost entirely on the acting of four characters... particularly Iago along with Othello, Desdemona and Cassio.  You can tell this reviewer is educated in the play and he backs up many of his points with very specific observations of the performance.  You can also tell that this reviewer has an idea of how parts of the play SHOULD play out... at least according to him.  I'm not saying this is good or bad... I'm just pointing it out.  Even if the review is mixed, I very much appreciate that it is educated and intelligent. If you are looking for comments about my work, they are at the bottom of the article. 

http://blogs.indystar.com/upstage/2012/07/23/harts-othello-at-white-river-state-park/

The second review is from another known and respected reviewer in the area.  He writes his review in a completely different manner.  He writes more about the overall experience of being in the park watching the show.  Whereas the first reviewer focused on very specific points for a few actors, this review is much more general... another perfectly valid way to write the review.  Also, note the differences in reviews for the character Iago.  The first reviewer wasn't a fan of Iago's choices... the second reviewer LOVED them.  Iago is that kind of character... he's like a Hamlet... very polarizing in terms of evaluating performaces of the character.

http://www.examiner.com/review/heartland-actors-production-of-othello-grips-and-engages

So who do you trust? Who do you choose to listen to?  Is one more valid than the other?  Nope.  And yes, I came out of it pretty well, and I can use those as I work to get tenure, and I thank both of these gentlemen for taking the time to see and write about our work.  But what I REALLY like is hearing all the stories from people that had never seen the play before and actually understood it and liked it.  For some of them, it was the first time they had ever seen a play... and that is awesome.   

In the end, I think what most people really want out of a Shakespeare play is that they just want to understand the story...  PLEASE BE THE PEOPLE WHO FINALLY SHOW ME WHY THIS PLAY AND THIS PLAYWRIGHT ARE CONSIDERED GREAT!!!!!   We've all been told Shakespeare is great.  Yet, reading Shakespeare is a pain in the butt and a bad production of Shakespeare is EXTRA BAD because the language is hard to follow.  I think that most people just hope that this group of actors in front of them will be the group that can finally showcase the beauty of Shakespeare... that's what they want.  Well... that and some good costumes.

Final note...  the first reviewer actually had a running commentary going about the show via his twitter account.  He wrote 21 tweets during the performance... some are pretty funny. You can see the running twitter feed here... look for the posts from July 20th.

https://twitter.com/jayharveyarts

Tomorrow I'll talk about letting go of a character.  I've really enjoyed intertwining myself with Michael Cassio for the last couple of months but I think tomorrow I'll officially say good-bye.

7-23-12 As promised... the sword story...

Alright...

Cassio's sword has had a presence in this blog for a few weeks.  It first made its photo appearance on July 14.  Later there were some problems with the sheath so we had to scrap that.  I had to make adjustments to my belt to hold it without the sheath... and so on... and so on... one little annoying problem after another.  It wasn't a stage combat sword, but I loved it so.  I thought it fit Cassio so well and I was willing to do what it took to get it through the show.  It was fairly sturdy.  It seemed to be holding up.  It was developing a little wiggle but we looked at it and it seemed like it could make it.

Well... here is what remains of Cassio's sword...


THIS IS WHY YOU SHOULD ONLY USE REAL STAGE COMBAT WORTHY WEAPONRY.

The story about the break is even crazier.  It happened during the show.  It happened during the drunken fight.  It happened while I had two swords and was fighting two guys at once.  I swipe at one guy's head and he ducks.  With this particular sword in my right hand, I swipe high and across my body from right to left.  As the bottom of my right hand hits my left shoulder, finishing the move, the momentum somehow makes the blade snap at the handle (CHEAP SWORD) and the blade goes flying through the air about 40 feet. Now all I am holding is the handle.

Literally, in about one second, while still moving through the fight, I analyze the following things... (I'm not even kidding... this all went through my mind in about one second...)

1)  No one has been killed or seriously injured... I can keep fighting.

2)  I am now holding the handle and nothing else.  Is this handle helpful or not at this point?  I decide it is not and drop it. 

3)  Meanwhile, I am still moving into the next move without a pause or anything... however... I ONLY HAVE ONE SWORD NOW.  So I have to, on the fly, alter my move while my fellow actor is doing a strike towards my head. 

The cool thing about theatre though... if you are working with good individuals... you are a team... you are an ensemble... you have each other's back. 

So... check out this chain of events...

1)  The guy swinging at my head still goes for it but, I can tell when our swords hit that he pulled back on his speed just a touch.  Not so much that the audience could tell, but enough to make sure that my one sword parry (which usually was a two sword parry) would be ok.

2)  Another guy who then knocks into my back changes his positioning ever so slightly. Why?  Because I am about to drive him into the ground, but it is rather close to where the dropped handle is.  So we pull the drive to the ground downstage just a touch.

3)  Another guy has a sense that the blade may come in handy later... or at least need to be cleared from the stage, so, in the commotion of the fight, he positions himself close to the blade.

4)  Normally, once I drive this guy to the ground, I start pounding him in the face which Othello comes and stops.  Well, I tried to communicate with a slight hesitation on my first punch of this guy  that this fight needed to end. Othello sensed that and broke it up two hits early.

NOW COMES THE BEST PART

Later in the scene, (in the REHEARSED version of the play where SWORDS WEREN'T BREAKING,) Othello would eventually command me to get up off of the ground and he would take my sword and thrust the blade into the ground at my feet and tell me that I was demoted.  So Cassio was left standing there crushed, defeated, demoted, shamed and broken with the sword sticking in the ground in front of him.  It was a cool image.

Well... Othello motioned to the guy standing by the broken sword blade to bring it over to him.  He then picked up the pieces of the handle.  And at the moment where he demotes me, he tossed the broken pieces of sword onto the ground.  Broken Cassio with his broken sword.  It was the this beautiful symbolic moment.  The best part was, I didn't see any of this happening... so when he dropped the broken sword at my feet, it was total surprise... and shock... just to see it laying there in pieces in front of me. 

Then it was up to Iago and me to figure out how to go from there and I ended up using the broken pieces in one of my lines.  This particular line had always been one of the hardest lines for me to really connect with.  BUT... that day... with the broken sword... the words just came... and I eventually walked off stage, with these pieces of broken sword, and I felt like I FINALLY found that one particular line.  And I don't know if I will ever say those words, with that kind of connection ever again.

Awesome...



AND BAD.... BAD BAD BAD

Why bad?  Because that damn sword should never have been on the stage in the first place.  I know better than that.  Hell, I think we all knew better than that.  And we got away with one.  No one got hurt.  And, I have to tell you, I will never do that again.  Even if it means that I just have to supply my own weapons.  Heck... I would never let my students use that weapon on stage so why did I use it?  We THOUGHT it would hold up but we didn't KNOW it would.  You can't play games like that with stage combat. A moment of thanks for the gods of theatre.

On a better note...  a couple of reviewers have written about the show and they both mention the quality of the fights.  I take a lot of pride in that because I was a large part of the crafting of the fight choreography.

Speaking of reviews... we'll see if any more get posted tomorrow (Tuesday) and then I will write a post about reviews... how I deal with them... etc.  I'll also provide links to the reviews so you can read them yourself.

Sunday, July 22, 2012

7-22-12 A few pictures...

Well there is obviously a lot to talk about and I'll get to some things when I get home.  Stay tuned for a great story on why you should only use appropriate stage combat weapons when doing stage combat... holy cow...  

In the meantime, here are a few great pics of today's matinee which was in 95 degree heat.  Whew!  Yes, I am in these particular pics.  hahaha


Cassio arrives in Cyprus.





End of the play... Cassio stares down Iago.





Cassio forgives Othello.




Cassio's gettin' drunk.

7-22-12 Twas a beautiful evening for Shakespeare

Saturday, July 21, 2012

7-21-12 Outdoor Theatre

For the last 400+ years, theatre practicioners have been doing everything they can to control distractions during a show... theatre moved from being a mostly outdoor event to a mostly indoor event, the light on the audience was darkened, soundproof materials were used.

So when you go back to an outdoor space... in the middle of a city... that is holding a major expo... on a Friday night...  it is always interesting.

I've done a lot of outdoor theatre.  When you do it around July 4th, you deal with fireworks.  One time, out at Utah, there were wildfires 15-20 miles away from the theatre.  When the wind shifted, we started to get "snowed" on during the final scene... it was ash blowing in from the fire.  Last night... it was helicoptors.  Goodness... helicoptor after helicoptor.  The best one of the bunch was the police helicoptor that decided to shine it's spotlight across the stage and audience.

Love it.

The thing is though... we, the theatre practicioners, know what the show COULD be.  It could be this and it could be that and if we had the perfect environment (perhaps the IRT stage) then it would be this and that and blah blah blah.  But.. that isn't what the show IS.  And part of the show IS the experiences and the beauty and the challenges of being outside.  Part of the show is that you can bring your dog and that you can watch the sunset during the first hour of the show and you can drink a bottle of wine while you watch and get up and smoke a cigarette or go to the bathroom.  Part of the show is that that little kids can get inspired by the show and have their parents tie "capes" around their necks so they can be the characters on stage and sword fight during the show.  (That actually happened.)

Part of the show is that people who have never seen shakespeare or have never seen a play can do so for free... in an environment that is familiar... and feel like they belong... and hopefully get excited to see more theatre.

So yes... there were helicoptors.  Yes, because we didn't have a "Tech Rehearsal" on Thursday, we had a few little mic problems.  But to hear a family say, "we've never been to a play before... that was really great..."   well....  to me that's it man.  That's it.  That's why we do it. 

Was last night perfect?  Nope... hell... theatre probably is never perfect.  Was last night perfect enough?  I don't know about everyone, but for one family it was.  And that is awesome.

Tonight we'll be even perfecter.

Friday, July 20, 2012

7-20-12 Opening Night

Weather looks like it is going to be real nice.  Around 80 degrees at the start of the show.  Around 72 by the finish. 

If you are in the Indy area... bring some food/wine and a blanket (and maybe a little bug spray) and come join us! 

Thursday, July 19, 2012

7-19-12 BONUS! Here's a sample of Iago!

Just saw this.  Ryan (Iago) was on TV Tuesday and, as part of the segment, they had him do a little of one of his monologues. 

If you are interested...


http://www.wishtv.com/dpp/indy_style/in_indy_now/shakespeare-on-the-canal

7-19-12 The crazy last night of rehearsal

Crazy.

Started at the outdoor rehearsal space... things were nice and sunny.  We did a mic check.  I like the mics... I think they'll be good.  Nothing more dreadful than bad mics.  It just makes me feel helpless when my mic is bad.

Then we moved to Indiana Repertory Theatre's mainstage space.  No mics... no costumes... no outdoor lighting...  just the cast and crew with a bare stage in a 400ish seat theatre with four people sitting in the audience.  And the rain came.  And we ran the show.  And it was kind of nice.  Actually it was really nice.  Really fun to tell this great story at a good theatre with a good group.  Really fun that, although we'd never rehearsed there before, everyone figured out what they needed to do to make it work.  It was kind of magical. 

Now we just need to do that tomorrow outside. 

After the run of the show we went back to the outdoor space.  There was no more rain.  We saw what the lighting will be like, so at least that won't be a surprise tomorrow.  Then we briefly worked on curtain call and well... that's it.  That's the rehearsal process.

Tomorrow most of us will be at the space by 7:00pm.  Whenever there is stage combat in a show, we always do the fight once or twice before the show, so all the fighters will be there at 7:00.  I think the pre-show entertainment actually starts around 6:30.  That is always fun.  It's always fun to walk to the space and see a crowd already there.  And you kind of walk through the crowd knowing that you are about to tell them a great story and, at that moment, they have no idea who you are... yet.  That is fun.  Earlier this summer I was walking outside of a theatre in NYC and walked past a lady and thought to myself "that lady looks like she is walking through this crowd as if she knows she is about to tell them a great story."  Sure enough, she was the lead actress.

Tomorrow I won't do anything crazy.  A little lifting... a little cardio... perhaps some laundry... go over lines... that's about it.  It's not about getting amped up... it's about relaxing.  Maybe I'll spend some quality hot tub time... hahaha.

No rain... no rain... no rain...

7-19-12 Yikes

So... if we could pick what days there would be no rain, it would be the show days.  We look to be pretty good in that regard.

If we could pick an extra day where there would be no rain, it would be tonight... our final dress... our first night with mics... our only night with lights (because the lights got rained out last night)...

No such luck.  It is supposed to pour in a few hours.

So... the rehearsal that should be spent locking down all of the tech stuff, isn't going to happen.  Instead, we are going to try and do a quick mic check in the space.  Then, we are going to head over to the Indiana Repertory Theatre (IRT) and do a final run on their mainstage.  It sure was generous of IRT to help us out with this at the last second so thanks to all of them.

But... what this all means is that tomorrow night, in front of a big audience, we will be trying to mix this show together on the fly.  YIKES!!!

So tonight... in an indoor space... since I can't work on timing my long entrances... or how to use the big open outdoor space... or get adjusted to the lights...  I'm just going to focus on the acting 100%.  Tonight is all about locking in.  After all, that is the most important part anyway.  But tomorrow, it may be hard at certain moments to lock in with all the new stimuli and the on-the-fly problem solving that will have to take place. 

So tonight I'm just going to act, baby.  In a space we've never done the show before.  I'm just going to be selfish and enjoy the experience.  Tomorrow is all about delivering this great story for the audience.  Tonight... it's time to just relax... and amidst all this commotion, tell this story with this great group of people one more time for ourselves.  Awesome.

Meanwhile... look below...  Yikes!  hahaha

6 PM

T-Storms
77°
T-Storms                               
PRECIP:
80%
WIND:
SW at 7 mph

7 PM

T-Storms
76°
T-Storms                               
PRECIP:
100%
WIND:
W at 8 mph 

8 PM

T-Storms
76°
T-Storms                               
PRECIP:
85%
WIND:
WNW at 5 mph

9 PM

T-Storms
76°
T-Storms                               
PRECIP:
75%
WIND:
NW at 7 mph